Disclaimer: I may have blogged tens of
thousands of words of overenthusiastic drivel about Strictly, but I have a terrible memory for the details
of Strictly pasts (a few months after a series is over, although I know I LOVED
it, I can barely even remember who was even there). So the point I’m making is this:
I reserve the right to change my mind
about this list ALL THE TIME.
Here are my favourite dances -
determined by the ones that first came to mind when faced with the YouTube search
box on a particular day.
It threw up a few genuine surprises.
1. My ambivalence towards Austin
Healey’s public persona is outweighed by my enjoyment of his dance skills - unbelievably,
he’s my highest scorer and I’ve included two of his performances (the power of
Erin).
2. Apparently I love more jives than
any other dance – who knew? (Seriously?! I thought I was #teamtango.)
3. Although I would furiously rue a
Strictly which only threw up rubbishy joke dances (and would throw a major
tantrum for which I would hold Ann Widdecombe personally responsible), many of
my most memorable favourites are joyfully, brilliantly terrible.
I have arranged the listings
thematically. Let’s do dis.
Argentine Tangos
Karen and Ramps tango to
Goldeneye
Series four, semi-final
From back in the good old days, when
the Argentine Tango was reserved for the semi-finals - and was therefore only
attacked by the most talented celebs, after weeks of building up vital rapport
with their pro-dancers. There’s no sarky
snipes or comedy asides for you on this one (even about Karen’s unexpected
gusset flash at the end), as it’s just too special - it remains my all time favourite dance of all time-ness. The music,
the styling, the choreography, the tango face... It all works for me. And the intensity between them is... Well.
It gives me ‘feelings’.
Vinthent and Rachel
tango to When Doves Cry
Series
six, semi-final
It actually
beggars belief that a pint-sized comedy Italian stereotype (I mith you Vinthent) and the
beigest pop star of them all can come up with something so sharp and cool and
sexy and yes.
Jives
Michael Vaughan’s axe and Natbot perform to This Ole House
I don’t
want to belittle the serious medical condition that is depression, but I believe there would be public and social value in using NHS funds to carry out clinical trials on the effectiveness of watching this performance as a treatment mental health. It's one of the funniest things I have EVER, EVER seen.
Erin and Austin perform to
You Got The Beat
Series
six, week three
ERIN’S
DRESS. (Also, Austin’s embarrassingly hilariously pelvic jiggle and high kick
to the judges during the “and you if you don’t like the way I look, well I just
don’t give a da-ham” bit, clearly inspired by Erin’s previous work with Peter “one two
three shake your body down” Schmeichel.)
Pro Dance Jive to Rebel
Yell
Series
five
Is it fair
to throw in a pro dance? Well, I’m gonna. Passive aggressive competitive
peacocking through the medium of jiving in turquoise satin. (Also, James’
hilarious Wolverine hair. Hahaha, what a way to deal with a receding hairline.)
Miscellaneous Latinz
Other Karen and Dave Myers
cha cha cha to Moves Like Jagger
To be
honest, Dave Hairy Biker managed a triology of amazing latin (Cha Cha Like
Jagger, Paso Meatloaf, Fruit Salsa Trolley), all of which I loved, but this one,
with its white satin shirt slit to the navel and opening shout of “WOW!” is my
favourite of those favourites. A turning point for Karen Hauer.
Erin and Austin
perform a paso doblé to Espana Cani
Series
six, semi-final
(What a show that was – it throws up
two of my favourite performances.) The best bit of this dance is actually
Austin's “HA!” and “OLÉ!”
shouting at the start - the rest of it is basically a whole lot of pomping
about whilst everyone looks at Erin’s washboard stomach - but you gotta love how they
fully commit to the preposterousness of it all.
I love it.
Ian’s red trousers and Jade
salsa to La Isla Bonita
Series
seven, week four
I suppose
it’s not quite true that this is one of my favourite *dance* pieces, but those
trousers are SO SPECIAL. They are a dance in themselves.
Mark and Iveta cha cha
cha to You Can’t Touch This
Stop! Veta
time. Hip pop cha cha via a slo-mo leg extension
and Croydon face lift. Ivetamazing is a very special Strictly lady and
this utterly proved it.
Claudia and Len’s tribute to
Kristina & John Sergeant’s paso (2 minutes 30 in)
Series
seven, It Takes Two
The original is the
stuff of Strictly legend, but this version (of which I can only find a snippet
*WAAAH*) is even more wonderful. Why
can’t Claudia present EVERYTHING? (Bar Bake-Off.)
Miscellaneous
Ballroomz
Robin and Patsy perform
a Viennese Waltz to Anyone Who Had A Heart
Patsy Kensit - who had a nine
week run before ending up another piece of Widdecombe collateral damage - probably won’t
be remembered as a legendary Strictly competitor, but she nonetheless managed a truly special
feat - she got me to properly love a Viennese Waltz. This is a really sweet performance from a
woman coming out of the shadows of divorce and forging an amazing partnership
with her GBF-for-life. The romance of a
blossoming friendship between fag and hag – just beautiful.
Artem and Natalie perform an American Smooth to And I'm Telling You I'm Not Going
In which Natalie TOUCHES THE DIVINE.
Charlestons
Ola and Chris perform to
Fat Sam's Grand Slam
Series
seven, week eleven
After which it became the law that all
charlestons must contain swimming. This
is what won it for them, frankly - Hollins wasn’t the greatest (he
wasn’t even that great), but this was
such a fun, frolicky, infectious performance which brought the best out of Olachops. The series before, my sister and I had regularly discussed what a sulky madam Ola was and how little we thought of her, but this Team Cola year suggested that that wasn't fair - she just suffered from a) Resting Bitchy Face and b) being married to James.
Brendan and Sophie
perform to Rock It For Me
I know Sophie has been lauded as a robbed should-be winner by many - and I’ll happily accept that she came across as a fantastic person (“I’m a thirty-four year old woman, Brendan”), but I’m going to be brutal here – I
think this was pretty much her only good dance of the entire series. (*ducks*)
Course, if you’re going to have a good dance, it might as well be this
one, which basically reinvents the Strictly Come Dancing
charleston as fucking cool.
Showdance
Flavia and Matt perform
to Are You Gonna Go My Way
Series
five, final
Although my Strictly memory is poor,
this live version of this one will be forever burned on my eyeballs.
I will NEVER forget the moment itself: one minute after he has taken to
the dancefloor, Matt Di Angelo LITERALLY spins Flavia Cacace by
her mimsy. (BY HER MIMSY!!!) At the time, I was so blown away by such a feat that I *very
nearly* thought Alesha shouldn’t win. That was crazytalk, of course, but it shows the power of that oh so rarest of beasts: a bloody good showdance.
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